Writers Day 2026

March 7th, 2026

Writers Day is our annual full-day gathering for anyone who loves to write, offering inspiration and information about the craft and business of writing. This year, we were back in beautiful Channing Hall and Upper Chapel in Sheffield. We’ll be back around the same time next year, but in meantime, here’s what and who you missed!

Helen Mort: A literary life (in conversation with Glenn Fisher). Helen Mort joined us for our opening plenary. Helen is one of Sheffield’s finest authors with a range of award-winning work spanning poetry, fiction and nonfiction to her name. We are delighted Helen started off Writers Day, inspiring us with some of her literary brilliance, as well as sharing what drives her and how she has built and sustains a life of writing.

PANELS

Panel A: Writing Identities (Supported by New Writing North). Who are we as writers, and how does that influence our work? How can we write about identities that are far removed from our own lived experience? A panel of published fiction writers discussed their experience and opinions on writing about identity and community. Featuring Sarah France (New Writing North), Mie Murasa (prize-winning writer), Russ Thomas (crime/horror writer), Noreen Nasim (self-published author), and chaired by Sile Sibanda (spoken word poet).

Panel B: The Best Advice I Ever Received … Conversations with Royal Literary Fund Writers. A panel discussion with three South Yorkshire-based writers and Royal Literary Fund (RLF) Fellows. Using short scripts from the RLF’s Vox archive as a jumping off point, novelists Susan Elliot Wright and Caroline Cauchi, and poet Elizabeth Holloway, shared fascinating insights on the life of a professional writer and the advice that has kept them going during their writing lives.

Panel C: Trends in Publishing (Supported by Hachette).What’s hot and what’s not in the literary world right now, and who says so? Do publishers respond to or shape trends? How important is it for writers to be ‘on trend’ and should they aim to be? In addition to the writing itself, what are the other technological and market trends are influencing the publishing industry right now? A writer, a mainstream publisher, an indie publisher, and a literary agent offered their industry insights. Featuring Lily McIlwain (Hachette), Isabelle Kenyon (Fly on the Wall Press), Molly Aitken (published author), and Julia Silk (literary agent).

Panel D: Step Up to the Mic - Writing for Performance.Sheffield’s literary performance scene is thriving, so could you find an audience for your writing via the stage, rather than the page? But where do you start, especially if you’re shy? How can you find your voice and grow in confidence? Our panel of seasoned writer-performers shared their tips for owning the spotlight. Featuring April Thompson (Gags for Good), Sile Sibanda (spoken word poet), Beverley Ward (spoken word poet) and Andrew Jeffrey (poet).

WORKSHOPS

Workshop 1: The Darkest Ink- writing horrorwithRuss Thomas. Whether writing short stories, novels, or genre-blending fiction, this session aimed to sharpen your craft and deepen your understanding of how horror really works—on the page and in the reader’s mind. In this workshop, we explored horror in all its forms, from psychological and gothic to folk and cosmic, examining what makes stories truly unsettling. Exercises helped us gain practical techniques for building suspense, controlling information, and keeping readers hooked through implication rather than shock.

Workshop 2: A Write Laugh- writing comedywithApril Thompson/Graeme Rayner. An accessible introduction to comedy writing as a craft. Designed for writers who are curious about humour but unsure where to start, the workshop explored participants’ own sense of humour, what “tickles” them, and how everyday observations can be shaped into comic writing. Through simple, tightly focused exercises, we created a short comedic scene, dialogue, or character monologue as a starting point for further development.

Workshop 3: Getting Your Facts Straight - writing fiction from research with Lauren O’Donoghue. In this workshop, we explored and discussed various aspects of research from a fiction writer’s perspective, including the role of truth in fiction, reasons for research, research methods (conventional and otherwise), ‘Desire paths’ through research, and weaving research into your writing without sounding like a text book. The session included research-based exercises.

Workshop 4: The Living Image - writing powerful poetry with Andrew Jeffrey. This workshop took inspiration from poets who use concise images to express deep feelings, impressions and memories, grabbing the reader's attention with immediacy. The writing exercise gave us tools to collect strong images and then edit them into shape. For those who had been writing poetry for a long time or just wanted to explore something new, this workshop gave us a fresh perspective on the image.

Workshop 5: Pitch Perfect NONFICTION-getting the attention of commissioning editors with Hannah Boursnell.

Workshop 6: Pitch Perfect FICTION- getting the attention of agents and small presses with Isabelle Kenyon. Ready to submit your manuscript but unsure where to start? This hands-on workshop helped us understand the current publishing landscape, what agents and publishers are looking for today, and how to construct an impactful, irresistible submission. We left with practical skills, industry insights, and the confidence to present our work professionally. The workshop concluded with a Q&A session that addressed questions about our manuscript and submission strategies.

Workshop 7: Work Smarter, Not Harder - Digital Tools for Writers with Noreen Nasim. This session introduced writers to a dynamic toolkit of free and low-cost digital writing apps that support every stage of the creative process. From idea generation and plotting to character development and project organisation, participants discovered how to use digital tools not only to elevate their writing, but to streamline and structure their creative projects with confidence and clarity.

Workshop 8: The Happy Writer - Write with Resiliencewith Sally O’Reilly. In this workshop, we looked at ways to write more often, get into good writing habits, and enjoy the process. We talked about working with our energy levels, getting inspiration, and developing a sustainable writing life. A friendly, informal workshop, suitable for beginners and experienced writers alike, there was discussion, writing exercises, and practical advice.

Just Keep Writing: Closing Plenary & Farewell with Beverley Ward. The founder of The Writers Workshop encouraged everyone present to reflect on their main takeaways of the day and exhorted us all to just keep writing.

Hachette Social Hour & Wine Reception- a great way to end the day, connect with new friends, eat cake, drink wine and buy books from the Juno Books stall.

APPEARING AT WRITERS DAY 2026

  • Molly Aitken

    NOVELIST & SHORT STORY WRITER

    Molly Aitken is the author of Bright I Burn, a RSL Encore Prize shortlisted novel. It was a BBC Best Books of 2024 and an Irish Bestseller. Her debut was The Island Child. Molly's prize-winning short fiction has been published in the New Yorker, and Ploughshares, and dramatised for BBC Radio 4.

  • Hannah Boursnell

    EDITOR

    Now freelance, Hannah spent ten years, acquiring non-fiction for Little, Brown Book Group across a range of genres including memoir, lifestyle, humour and current affairs. Eight of the books she published hit The Sunday Times bestseller charts, with two reaching the number 1 spot.

  • Caroline Cauchi

    NOVELIST

    Caroline is a bestselling novelist with internationally published books and an award‑winning film adaptation. She writes about love, loss, and the untold stories of lives history has left behind. Her next novel, Daughter of the Titanic, will be published in March 2026.

  • Susan Elliot-Wright

    NOVELIST

    Susan is the bestselling  author of five published novels, including the critically acclaimed The Flight of Cornelia Blackwood and, most recently, All I Ever Wanted.

  • Sarah France

    NEW WRITING NORTH

    Sarah is the Programme Manager for Talent Development and Research Lead at New Writing North, working on writer development programmes and prizes, including the Northern Writers' Awards, and supports their research and evaluation strategies. She previously managed A Writing Chance, a writer development programme for working-class and other underrepresented writers, and was involved in establishing The Bee, an online magazine that publishes and platforms working-class writing.

  • Elizabeth Holloway

    POET

    Elizabeth is an academic and poet whose work has been extensively published in journals and anthologies. She is the author of four full-length collections of poetry. Her current project is a memoir set against the backdrop of the decline of the coal industry and the 1984 miners’ strike. Elizabeth has worked as a writer in a variety of settings including schools, community organisations, a prison and radio. She has been a Royal Literary Fund Fellow since 2022 and currently runs the RLF Reading Round Scheme in Sheffield.

  • Andrew Jeffrey

    POET

    Andrew taught creative writing at University level for over ten years and has run workshops with Off the Shelf and community organisations. His poetry and reviews have appeared in Plumwood Mountain Review, Epizootics, Dissonance, The North, and Green Letters.

  • Isabelle Kenyon

    PUBLISHER

    Isabelle is MD of Fly on the Wall Press and was named a Leader of the Year by the Bookseller in 2025. Founded in 2018, Fly on the Wall Press has won Small Press of the Year at the British Book Awards 2024 (North), achieving finalist status five times in the years 2021-2025.

  • Lily McIlwain

    EDITOR (nonfiction)

    Lily is an editor at Weidenfeld & Nicolson (an imprint of Orion Publishing Group, part of the Hachette publishing family), where she commissions, develops and oversees the publication of a list of non-fiction titles. She’s interested in exceptional writing that illuminates the world we live in – and our relationships to one another – in fresh and fascinating ways.

  • Helen Mort

    AUTHOR

    Helen has published three poetry collections, a novel, and two full-length works of nonfiction. She also writes drama and creative nonfiction. Her most recent nonfiction publication is Ethel : The biography of countryside pioneer Ethel Haythornthwaite (Vertebrate Publishing Ltd, 2025) is a portrait of the pioneer, activist, environmentalist, and poet who played a huge role in the establishment of the Peak District National Park.

  • Mie Murasa

    SHORT STORY WRITER, MEMOIRIST

    In 2024, Mie was selected as one of sixteen emerging writers for New Writing North’s ‘A Writing Chance’ programme and has been published in Bee Magazine. Shortlisted for the Northern Debut Award and longlisted for the Sid Chaplin Award in 2025, Mie is currently writing a creative nonfiction memoir.

  • Noreen Nasim

    NONFICTION WRITER & NOVELIST

    Noreen is a South Yorkshire-based author, TEDx speaker, and digital educator. In 2021, she self-published Expelled from Uganda, a story of her father’s experience, which led to a TEDx talk, raising awareness of the mass Ugandan Asian exodus.

  • Lauren O'Donoghue

    WRITER & RESEARCHER

    Lauren is a writer, game designer, and PhD researcher based in Yorkshire. Her short fiction has been featured in publications including Mslexia, Northern Gravy, and Blood Orange Review. As a freelance arts workshop facilitator, her recent clients include Leeds Trinity University, XR Stories, and Children’s Capital of Culture.

  • Sally O'Reilly

    NOVELIST & NONFICTION WRITER

    Sally is the author of four novels, published by Penguin Books, Myriad Editions/Picador US and Scribe UK/Australia, and the nonfiction guide How to be a Writer (Piatkus). Sally’s most recent novel is Hagtale: A Macbeth Origin Story (Scribe UK, 2025). Now a full-time writer, her stories celebrate lost history and forgotten women’s voices.

  • Graeme Rayner

    WRITER, COMEDIAN

    Graeme is a comedy writer and facilitator whose work focuses on the craft of writing humour for the page, from character voice and dialogue to structure, rhythm, and point of view. He began his comedy journey in 2018, taking a stand-up comedy course as a way to honour the memory of his late mother. Since then, he has performed all over the country. He is co-director of Gags for Good, a nonprofit social enterprise.

  • Sile Sibanda

    POET & SPOKEN WORD ARTIST

    Sile is an award-winning BBC radio presenter, event host, and spoken word performer known for bringing stories to life on stage, on paper, and on air. She has produced immersive storytelling experiences for StoryTrails and co-authored the anthology Spit Out the Myth: Three Sheffield Poets. Her poetry has been commissioned by Sheffield Theatres, Concerteenies, Grimm & Co, Rivelin, Sheffield Inspires, Creative Lives, Arc Cinema, Rotherham Museums, Darts, Derbyshire Makes, Ilkley Literature Festival, and Hive.

  • Julia Silk

    LITERARY AGENT

    Julia is an agent with Greyhound Literary, and a former editor for publishers including Hachette, Simon & Schuster, and Penguin Random House. In fiction she specialises in upmarket commercial/accessible literary fiction, and in non-fiction she looks for new, eye-opening perspectives. Coming from a culturally mixed family, she is strongly committed to increasing representation and accessibility.

  • Russ Thomas

    NOVELIST

    Russ lives in Sheffield, UK. He grew up gay in the 80s (which he wouldn't recommend to anyone), reading anything he could get from the library. He is the author of a critically-acclaimed, bestselling crime series, set in Sheffield, featuring DS Adam Tyler: Firewatching (Times bestseller; Waterstones Thriller of the Month), Nighthawking (Times Book of the Month), Cold Reckoning, and Sleeping Dogs. He is currently writing a new horror novel.

  • April Thompson

    WRITER, COMEDIAN

    April is a comedian, writer, and co-founder of Gags for Good. After breast cancer and becoming a mum, April’s confidence took a serious hit. She turned to stand-up comedy as a way to process what she’d been through, reconnect with herself, and find light in a dark time. This led to the creation of Gags for Good, a social enterprise using comedy and creative writing to support confidence, wellbeing, and inclusive spaces.

  • Beverley Ward

    WRITER

    Beverley is the original founder of The Writers Workshop. She writes poetry and is a growing voice on the spoken word scene. Her grief memoir Dear Blacksmith was published by Valley Press in 2020, and she continues to publish nonfiction via Substack. She also supports young people to enjoy creative writing through her Writing Revolution books for teachers and children.